![]() ![]() This really is as hard as it gets.Īlways smiling, always jovial Elliott Carter doesn’t seem to be the kind of personality that would be behind the intensely powerful music that bears his name. One player even has to tremolo between one multiphonic and another. These harmonies aren’t constructed by the ensemble, but by individuals playing multiphonics, an extended technique that produces several notes at once. Those fourth-movement harmonies are a good example of the piece’s toughness. From the sparse conversations of the second movement to the sustained ethereal harmonies of the fourth, it’s all there. It comprises five diverse movements, which together explore every possible way in which four of these instruments can combine. Her Quartet can be performed on either four concert flutes or four alto flutes. The result? A work that asks four flautists to bring nothing less than everything they’ve got to every moment of every performance. In 1977, she applied this notorious experimental sensibility of hers to the relatively unfamiliar setting of the flute quartet. Sofia Gubaidulina is responsible for writing some of the most boundary-pushing music of the modern era. Semiquavers in that tempo are unbelievably quick. And if all that isn’t enough, it’s marked ‘presto’. You have to navigate enormous, sudden leaps in phrases that combine slurred and staccato articulation in an awkward and counterintuitive way. At least rhythm’s easy, but that’s all the help you get. It consists almost entirely of a stream of semiquavers. All the etudes in this set are supremely tough, but the 21st is especially beastly. As part of this work, he composed numerous studies, many of which are compiled in he 24 caprices-études. He also worked long and successfully as an educator, guiding many great names of the generation of virtuosos that came after him. ![]() A graduate of the Paris Conservatoire, he played in the French style, with a distinctively powerful tone sustained by quick vibrato. Where better to look next than the work of virtuoso flautist - and dedicatee of Ibert’s concerto - Marcel Moyse? The legendary player did it all, performing in orchestras, as a soloist, and on countless recordings. Esprit Rude/Esprit Doux by Elliott Carter.Whether you’re new to the game with big aspirations, or an advanced player looking to take on a fresh challenge, you should find your needs met by this selection of the most severe masterpieces. It presents ten of the most technically, expressively, and musically demanding pieces ever written for the instrument. At the upper end of the repertoire, flute music gets very serious indeed.Īnd this article makes straight to that upper end, and doesn’t stray from it. Music that’s as challenging to take on as a performer as it is to reflect on as a listener. For all its grace and delicacy, the flute has inspired an abundance of intensely challenging music. ![]()
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